Hi, I’m Meg
DESIGNER
Meg sees working for Tone as a calling, not a job. Her strong sense of purpose drives her to create designs that evoke emotion and make a positive impact. She describes the chance to combine her deep compassion with her design skills as a “dream come true”.
Meg started her career in advertising, creating energetic and striking campaigns for sports brands. She says the role strengthened her skills as a designer, but she wanted a job that really fulfilled her. Her next role for a church-based mission organisation further fuelled her desire to work on purposeful design every day. Then came Tone.
Meg credits her grandfather’s “massive heart” as sparking her passion for non-profit work. His influence was the first thread in wanting to use her life to make a difference. She describes herself as a very empathetic person, and anyone who’s worked with her can see how much she cares.
Meg’s favourite projects involve illustration and typography – and that’s where a lot of her experience lies. She believes that understanding a problem is the key to creating powerful and compelling visual communication. She follows her curiosity to research and explore new and creative solutions for Tone’s clients.
“I’ve always wanted to work for organisations that challenge injustice in the world. Campaigns that make people question poverty, war, inequality... I feel a deep connection and passion for those causes.”
“Everyone at Tone works with great care and creativity and I love collaborating and bouncing ideas around. I’ve always had a heart to want to help people. I have so much privilege and opportunity... I can use the resources, ability and skills I’ve been given to do good in the world.”
“A recent campaign that stood out for me was for Freedom of the Press in Gaza. The story we were telling became infinitely more challenging when the journalist we were profiling was killed during campaign development. As a team we were determined to tell his story with sensitivity. The reason he died was the reason we were advocating in the first place. It meant so much to me to be part of creating powerful design that told his story.”
Hi, I’m Meg
Meg sees working for Tone as a calling, not a job. Her strong sense of purpose drives her to create designs that evoke emotion and make a positive impact. She describes the chance to combine her deep compassion with her design skills as a “dream come true”.
Meg started her career in advertising, creating energetic and striking campaigns for sports brands. She says the role strengthened her skills as a designer, but she wanted a job that really fulfilled her. Her next role for a church-based mission organisation further fuelled her desire to work on purposeful design every day. Then came Tone.
Meg credits her grandfather’s “massive heart” as sparking her passion for non-profit work. His influence was the first thread in wanting to use her life to make a difference. She describes herself as a very empathetic person, and anyone who’s worked with her can see how much she cares.
Meg’s favourite projects involve illustration and typography – and that’s where a lot of her experience lies. She believes that understanding a problem is the key to creating powerful and compelling visual communication. She follows her curiosity to research and explore new and creative solutions for Tone’s clients.
“I’ve always wanted to work for organisations that challenge injustice in the world. Campaigns that make people question poverty, war, inequality... I feel a deep connection and passion for those causes.”
“Everyone at Tone works with great care and creativity and I love collaborating and bouncing ideas around. I’ve always had a heart to want to help people. I have so much privilege and opportunity... I can use the resources, ability and skills I’ve been given to do good in the world.”
“A recent campaign that stood out for me was for Freedom of the Press in Gaza. The story we were telling became infinitely more challenging when the journalist we were profiling was killed during campaign development. As a team we were determined to tell his story with sensitivity. The reason he died was the reason we were advocating in the first place. It meant so much to me to be part of creating powerful design that told his story.”
DESIGNER